Literature
Writing on Literature
Writing on Literature
“Despite its compassionate tone, From a Mountain In Tibet doesn't promise relief via the page… That this registers as a lack – that simply observing a Buddhist life, rather than efficiently extracting the wisdom from it, feels like a failure – is an un-Buddhist reader response.”
“The full religious package.” Review of From a Mountain In Tibet: A Monk’s Journey by Lama Yeshe Losal Rinpoche. The Times Literary Supplement, October 2020.
“Hermann Hesse’s search for wisdom forces us to confront a crucial question: do you prefer your soul, or the world?”
“The Inward Gaze: Hermann Hesse and the Double-Edged Sword of Dwelling on the Self.” Aeon, July 2020
“The weight of life’s ephemerality – the feeling that its glories are always slipping away without you ever quite holding them in two hands – is what pushes a lot of people toward Buddhism. One Blade of Grass evokes this disquietude with tender force.”
“There’s no one breathing.” Review of One Blade of Grass by Henry Shukman. The Times Literary Supplement, January 2020
“One should expect only the very shallowest sort of revelation from the literary pilgrimage. Whatever remains, whatever is real, survives purely as that dense and ethereal thing: language.”
“Kafka in Prague: An Attempt at a Ghost Hunt.” The Independent, October 2019
[Portuguese-language syndication, in Folha de São Paulo, Jan 2020]
“Cari Mora is interesting for being a sort of repentance: Having served Starling to a man dripping in Satan imagery, Harris now wishes he could snatch her, and the silence of her lambs, back from between his elegant jaws.”
“Cari Mora: How the new thriller by Thomas Harris silences those lambs.” The Independent, May 2019
“The raw teachings of the physical; an unabashed love of irrational play; the echoes of the innocent pathos of youth; small moments of transcending our material prison. This was Camus’s beautiful game.”
“How Albert Camus Found Solace in the Absurdity of Football.” The Independent, March 2019
[FIRST published in THE BLIZZARD; republished in The independent – march 2019]
[Portuguese-language syndication, in Folha de São Paulo, June 2019]
“Horror – like the theology that provided its former home – is animated by the full spectrum of human psychology. It is driven by our desire to stop all the clocks, shrink into a bubble of the familiar and the known, reject all things foreign. Equally, it is shot through with the bone-deep knowledge that if we can’t adapt, we will perish.”
“Horror is a Dark and Piercing Reflection of Our Anxious Times.” Aeon, September 2018
AND: [Portuguese-language syndication, in Folha de São Paulo, October 2018]
"At bottom, is the novelist more priest than scientist? Is trusting in fiction really any more sensible or rational than trusting in religious myth?
"Can There Be an Atheist Novel?" The Point, March 2018
"I have come to understand David Foster Wallace's Oblivion for what it really is: A work of horror fiction, whose unique brand of horror is rooted in Wallace’s reading about the brain."
"David Foster Wallace and the Horror of Neuroscience." The Millions, March 2018
"Does the current state of neuroscientific research create a pessimistic picture of human existence; and if so, how should we react? Can an individual consciousness know itself, and to what degree? And can an individual consciousness contact and know other consciousnesses, and to what degree?"
"Neuroscience, Consciousness and Neurofiction." (PhD Thesis.) University of British Columbia (UBC) Open Collections, December 2017
"Buddhism can be seen to cordon off and denigrate, in pursuit of psychic equilibrium, precisely those inner voices, those inner narratives, which are the wellspring for what Westerners generally regard as worthy of praise in the arts."
Review of Nothing and Everything by Ellen Pearlman. MAKE Literary Magazine, February 2015
"Accusations of scientism and reductionism may or may not be warranted, but the fact remains: the most fundamental discovery in all of biological science remains more-or-less completely un-talked about in English seminars."
"On the Origin of Novels? Encountering Literary Darwinism." The Millions, February 2014